Sumer is icumen in was found in a manuscript from England's Reading Abbey (the words were actually written in the margins of the manuscript next to a liturgical hymn with the same music).
Deo Gracias Anglia (usually known as The Agincourt Carol) appeared in the Chapel Royal collection by the end of Henry V's Normandy campaign of 1415-16. Indeed, the Court Rolls indicate that a John Cook, clerk of the Chapel, "is granted 6s., fore presentyng a songe onn the recente victorie" in January, 1416 (less than three months after the decisive battle), but this is not neccesarily proof of the authorship of this piece.
Secular | Composer | Title | Soprano I | Soprano II | Alto I | Alto II | Tenor I | Tenor II | Bass I | Bass II | Full Score NWC | Full Score Midi |
|---|---|---|---|---|---|---|---|---|---|---|---|
| (see above discussion) | Sumer is Icumen in | x | x | x | x | x | x | x | x | ||
| (see above discussion) | Deo Gracias Anglia / The Agincourt Carol | x | x | x | x | x | |||||
| Bartlet, John | Of All the Birds that I Do Know | x | x | x | x | x | x | ||||
| Bateson, Thomas | Master Bateson hath his own page here | ||||||||||
| Bennet, John | Master Bennet's page is to be found here | ||||||||||
| Byrd, William | Master Byrd hath his own page here | ||||||||||
| Campion, Thomas | My Love Hath Vowed | x | x | x | x | x | x | ||||
| Cavendish, Michael | Come,Gentle Swains | x | x | x | x | x | x | ||||
| Cornysh, William | Please go to Master Cornysh's page here | ||||||||||
| Dowland, John | Please find John Dowland's page here | ||||||||||
| Dunstable, John | O rosa bella | x | x | x | x | x | x | ||||
| East, Michael | Master East's page can be found here | ||||||||||
| Farmer, John | Please go to Master Farmer's page here | ||||||||||
| Farnaby, Giles | See his own page here | ||||||||||
| Ferrabosco, Alfonso | Find Master Alfonso's page from the Italian page or directly here | ||||||||||
| Ford, Thomas | Now I see thy looks were feigned | x | x | x | x | x | x | ||||
| " | Since First I Saw Your Face | x | x | x | x | x | x | ||||
| x | x | x | x | x | x | ||||||
| Composer | Title | secular | sacred | available in |
|---|---|---|---|---|
| Greaves, Thomas | Come Away, Sweet Love | x | NWC or MIDI | |
| Hilton, John | As Flora Slept | x | NWC or MIDI | |
| " | You Lovers that have Loves Astray | x | NWC or MIDI | |
| Hunt, Thomas | Hark! Did ye ever hear? | x | NWC or MIDI | |
| Jones, Robert | Farewell, Dear Love | x | NWC or MIDI | |
| " | Once Did I Serve a Cruel Heart | x | NWC or MIDI | |
| " | Sweet Kate | x | NWC or MIDI | |
| Kirbye, George | Ah, Cruel Hateful Fortune! | x | NWC or MIDI | |
| " | I love, alas, yet I am not Beloved | x | NWC or MIDI | |
| " | Must I part, O my Jewel? | x | NWC or MIDI | |
| " | See What A Maze Of Error | x | NWC or MIDI | |
| " | Sleep Now, My Muse | x | NWC or MIDI | |
| " | Up, Melpomene Part 1 of 2 | x | NWC or MIDI | |
| " | Why Wail We Thus Part 2 of 2 | x | NWC or MIDI | |
| Lichfild, Henry | Shall I Seek To Ease My Grief | x | NWC or MIDI | |
| Morley, Thomas | See Thomas Morley's page here | |||
| Mundy, John | My Prime of Youth Part 1 of 2 | x | NWC or MIDI | |
| " | In Deep Distress Part 2 of 2 | x | NWC or MIDI | |
| " | Were I a King | x | NWC or MIDI | |
| Nicholson, Richard | Joan quoth John | x | NWC or MIDI | |
| Philips, Peter | Wherefore Sit I Complaining | x | NWC or MIDI | |
| Pilkington, Francis | Amyntas With His Phyllis Fair | x | NWC or MIDI | |
| " | Have I found Her? | x | NWC or MIDI | |
| " | Palaemon And His Sylvia | x | NWC or MIDI | |
| " | Rest, Sweet Nymphs | x | NWC or MIDI | |
| " | Why Should I Grieve? | x | NWC or MIDI | |
| " | What Though Her Frowns | x | NWC or MIDI | |
| Power, Leonel | Beata progenies | x | NWC or MIDI | |
| Ramsey, Robert | Sleep, Fleshly Birth | x | NWC or MIDI | |
| Tallis, Thomas | If Ye Love Me | x | NWC or MIDI | |
| " | Lamentatio Jeremiae prophetae | x | NWC or MIDI | |
| Tomkins, Thomas | Adieu, Ye City-Pris'ning Towers | x | NWC or MIDI | |
| " | Music Divine | x | NWC or MIDI | |
| " | O, Let Me Live! | x | NWC or MIDI | |
| " | O, Yes! Has Any Found A Lad? | x | NWC or MIDI | |
| " | See, See the Shepherd's Queen | x | NWC or MIDI | |
| " | The Fauns and Satyrs Tripping | x | NWC or MIDI | |
| " | Too Much I Once Lamented | x | NWC or MIDI | |
| Tudor, Henry (Henry VIII) | Pastyme With Good Company | x | NWC or MIDI | |
| Vautor, Thomas | Mother, I Will Have A Husband | x | NWC or MIDI | |
| " | Sweet Suffolk Owl | x | NWC or MIDI | |
| Ward, John | A Satyr Once did Run Away | x | NWC or MIDI | |
| " | Come, Sable Night | x | NWC or MIDI | |
| " | Hope of My Heart | x | NWC or MIDI | |
| " | My Breast I'll Set Upon a Silver Stream | x | NWC or MIDI | |
| " | Out From the Vale | x | NWC or MIDI | |
| Weelkes, Thomas | See the Thomas Weelkes page here | |||
| Whythorn, Thomas | I Have Ere This Time | x | NWC or MIDI | |
| Wilbye, John | John Wilbye's page is to be found here | |||
Sacred | Composer | Title | Soprano I | Soprano II | Alto I | Alto II | Tenor I | Tenor II | Bass I | Bass II | Full Score NWC | Full Score Midi |
|---|---|---|---|---|
| Dunstable, John | Quam pulchra es et quam decora | x | NWC or MIDI | |
| " | Speciosa facta es | x | NWC or MIDI |
